BBC film critics Caryn James and Nicholas Barber pick their cinema highlights of the year so far – from a touching sci-fi blockbuster to a wilfully provocative comedy-drama starring Zendaya.
1. 28 Years Later: The Bone Temple
In 2002, director Danny Boyle and screenwriter Alex Garland helped to revive the zombie-apocalypse sub-genre with 28 Days Later. In 2025, they did it again with 28 Years Later. Amazingly, this sequel to the latter is even better. Scripted by Garland, with Nia DaCosta taking over as director, 28 Years Later: The Bone Temple delivers all of the gore and terror you want from a zombie film, but it’s wonderfully idiosyncratic, too. It constructs its own elaborate folk-horror mythos; features the unlikely buddy-comedy pairing of a kindly mad scientist (Ralph Fiennes) and a hulking cannibal (Chi Lewis-Parry); and it’s uncompromisingly British in its references, from its cheeky use of Duran Duran and Iron Maiden songs to its unforgettable villain (Jack O’Connell), a cult leader inspired by notorious television presenter and sex offender Jimmy Savile. An eccentric masterpiece. (NB)
2. My Father’s Shadow
Set in Nigeria in 1993, Akinola Davies’s film about a father and his two small sons is eloquent, warm and fiercely honest as it moves gracefully from the personal to the political. Sope Dirisu gives a quiet, strong, immensely moving performance as the father, who spends most of his time away working to support the family. With pitch-perfect intimacy, the story follows him through a single day as he takes his sons along to Lagos, where they go to his workplace and he tries to get the money he’s owed. Their day gradually reveals the tumultuous backdrop of the presidential election, the results of which are nullified by a military dictatorship. The director and his brother, Wale Davies, wrote the film loosely based on their childhood memories, but its achievement goes beyond that. Winner of the Bafta for outstanding British debut, it stunningly captures the bold colours of Lagos. Its sophisticated narrative gives us the children’s perspective. But it also lets us see the father’s concern and the danger all around, with militia on the streets, which we understand far better than the boys do. There is not a false step, right through to the film’s heartbreaking coda. (CJ)
3. Hoppers
Pixar returns to form with a focused, fizzily energetic cartoon based on a conceit as old as big-screen animation itself: talking animals. The heroine of Hoppers, Mabel (voiced by Piper Curda), is an admirably tough and determined schoolgirl who has her mind “hopped” into a robotic beaver, a procedure which somehow allows her to understand animals’ conversations (just go with it). She uses this fantastic ability to rally her furry friends against a corrupt mayor (Jon Hamm), but what happens when they go too far? Parents beware: Daniel Chong’s film has nightmarish elements towards the end, but overall it’s a sharply plotted, gloriously silly adventure that everyone can enjoy. It also has the kind of frank environmental message which live-action blockbusters tend to avoid. (NB)
4. Wuthering Heights
Emerald Fennell’s fearless reinvention of Emily Brontë’s 1847 novel is not for Brontë purists, but it is an exhilarating take on the book and a striking example of Fennell’s typical artistry and daring. Margot Robbie and Jacob Elordi are fiery as Cathy and Heathcliff, the classic lovers made for each other but separated by class. Their connection is at once frankly sexual, romantic and caustic in the cruelty they often display toward each other. With that cruelty, Fennell restores the vehemence often overlooked in Brontë adaptations. Departing from prettified period pieces, the film’s visual style is an enticing kaleidoscope of colour and fashion. Fennell drops in some comic moments, and at times dares to be over the top (Heathcliff on horseback, Elordi’s bad wig flying in the wind) but its excesses are a small price to pay for such ambition. However much Fennell toys with the details – and why not? the book still exists – she captures the essential enduring passion of Wuthering Heights and its class-bound time. (CJ)
5. Project Hail Mary
Project Hail Mary is an unusual science-fiction blockbuster in that it’s mostly about people using their brains to solve problems. Yes, one of those people is an alien made out of rocks, and, yes, there’s an action-packed space-walking set piece, but the film’s main concerns, for over two-and-a-half hours, are knowledge, discussion and painstaking research. Does that approach sound a bit dry and academic? If so, rest assured that Project Hail Mary is touching and inspiring – and surprisingly fun. Adapted from a novel by Andy Weir, the author of The Martian, it’s directed by Phil Lord and Christopher Miller, who take a complicated, potentially bleak narrative and make it as fast-paced and cheerful as their animated hit The Lego Movie. Meanwhile, Ryan Gosling brings all of his goofball charm to the role of an amnesiac biologist who is trying to save the world. (NB)
6. Two Prosecutors
This bracing drama from the acclaimed Ukrainian director Sergei Loznitsa is set in 1937, during the height of Stalin’s purges of his political enemies, and it wilfully echoes the creeping authoritarianism of today. The hero is Kornyev, an idealistic young Soviet lawyer, who receives a clandestine message written in blood from a political prisoner: the old man wants to reveal the torture he and so many others have been subjected to. The film unfolds with eerie calm and the feel of a low-boil thriller as Kornyev visits the prisoner and tries to circumvent the corrupt prison administrators and his own bosses to expose the injustice, naively believing that is still possible. Loznitsa, whose career includes documentaries and features, brings a master’s eye to this visceral, harrowing story. As Kornyev spends time in the prison warden’s austere waiting room, the scene conveys the claustrophobia and fear of the period. That is just the start of a tense, increasingly Kafkaesque journey that captures the inescapable, everyday grip of a dictatorship. (CJ)
7. Dead Man’s Wire
Gus Van Sant’s blackly comic thriller tells the stranger-than-fiction true story of Tony Kiritsis, an Indianapolis man who kidnaps the mortgage broker he blames for his financial woes. Kiritsis then becomes a minor celebrity by phoning a local radio station to update listeners on his state of mind. The media circus and the 1970s setting are reminiscent of Sidney Lumet’s 1975 classic, Dog Day Afternoon, which could be why that film’s star, Al Pacino, has a small role. But Dead Man’s Wire is carried by Bill Skarsgård, who is terrific as the shotgun-wielding kidnapper. He adds farcical humour and pathos to a nerve-racking situation, but it’s left to the viewer to decide who to sympathise with – Kiritsis or his traumatised hostage (Dacre Montgomery). (NB)
Source : https://www.bbc.com/culture/article/20260409-the-best-films-of-2026
